The Producer

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First read this puff piece at the Washington Post on CBS producer Mary Mapes, responsible for the CBS Killian memos story: Mary Mapes’s Darkest Hour.

Mary Mapes received a care package from two of her best girlfriends the other day. What to send the woman in the eye of the CBS News firestorm? Wine, of course. And chocolates. A romance novel, amusingly titled “Texas Glory.” Some Band-Aids to soothe life’s little boo-boos. Tums.

Then, for a clearer picture of this activist producer, read John Fund’s piece at OpinionJournal, about an earlier incident in Mapes’ career at Seattle CBS affiliate KIRO: The Producer.

John Carlson, another news commentator at KIRO from 1986 to 1993 and now a conservative talk show host, recalls frequently arguing with Ms. Mapes after going off air. “The joke was that I’d have to debate twice at KIRO,” he recalls, “once on the set and then shortly afterward with Mary.”

Mr. Carlson vividly recalls how Ms. Mapes’s social advocacy landed her in trouble in a major story. In the mid- and late 1980s, the Seattle police undertook a series of raids on well-known crack houses. Many dealers were minorities, and there were allegations that the police were being racially selective in the use of force.

In the winter of 1987, officers announced themselves and knocked on the door of a known Seattle drug den. They then heard some noise and forced themselves in when no one answered the door. A low-level drug dealer named Erdman Bascomb stood up with a dark, shiny object in his hand. An officer fired, Bascomb fell, and officers pounced on the “weapon”: a black TV remote control. Bascomb died.

The Bascomb shooting angered many people in Seattle, and officials quickly organized an inquest. Then KIRO aired an incendiary story titled “A Shot in the Dark,” in which a previously unknown witness named Wardell Fincher accused the cops involved in the raid of lying. He said he saw officers arrive at the house, burst in with no warning and shoot Bascomb, who might not have even known the intruders were cops. The story shifted to possible criminal wrongdoing by the police. Mr. Fincher was summoned to the inquest, and previous witnesses recalled. The reporter for the sensational segment was Mark Wrolstad, now a reporter with the Dallas Morning News. The producer was his wife, Mary Mapes.

Fortunately for the cops, Mr. Fincher wasn’t the only one at the scene of the raid that night. A reporter for the Seattle Post-Intelligencer, Mike Barber, was tagging along with officers. Mr. Barber observed the officers arriving at the house, knocking, announcing themselves and then entering. He was there when the shooting happened and when the ambulances were summoned. At that point, a man “reeking of alcohol” walked out of some nearby bushes and approached him. He wanted to know what had just happened. That was Wardell Fincher. But Mr. Fincher wasn’t thoroughly checked out, so all this came out after the story aired. The police were eventually cleared but it took years and an unsuccessful civil-rights lawsuit by the Bascomb family to undo the damage.

By that time, Ms. Mapes had left Seattle, and no one I talked with who worked at KIRO at the time can recall her being disciplined in any way for her mistake. Instead, in 1989 she was fast-tracked to the “CBS Evening News” and later became Mr. Rather’s hand-picked producer on “60 Minutes.” “Maybe the National Guard mess would never have happened if she had been handled properly back then,” says one former KIRO reporter who still admires her work ethic and ability to break stories.

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Last updated: 2023-04-04 11:11 am PDT
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