Italian Paper Questions Sgrena’s Stories

Charles Johnsonfollow me on twitter
Mon Mar 7, 2005 at 4:18 pm PST • Views: 353

A sign of good sense at Italy’s Corriere Della Serra, where they are starting to ask some of the same questions as the LGF army: Il Manifesto, the U.S., and the death of Calipari. (Hat tip: Nancy.)

In an Italy under shock at the death of Nicola Calipari, emotions are prompting people to say and write many things that perhaps in a few days may look overstated, if not embarrassing. Of course, the writer is the first to understand, and up to a point even share, what lies behind those emotions. Take the anguish of Giuliana Sgrena, abducted by the very people she thought she was defending. For one month, she was a hostage to fear and the unknown, then only one step away from death, saved at the last by the sacrifice of one of the men who freed her. We are well aware that the anguish was not merely hers. It was shared by her many close companions.

But when understandable emotion produces unequivocal, crudely polemical statements such as those we are currently reading in Il Manifesto newspaper, and which are echoed less assertively elsewhere, then it is permissible to put one or two - we think - not unreasonable questions.

We’ll begin with the crucial one, which is this: is it true, as the self-styled “Communist Daily” headline puts it, that the death of Nicola Calipari was a “preemptive” and therefore premeditated, homicide? Is it true, as Rossana Rossanda writes, that the Americans were shooting “to kill,” and that Calipari’s death was “an assassination?” Can we really subscribe to the picture painted by Ms Rossanda of arrogant Yankee roughnecks, beardless and/or whisky-soused, complying with the “American maxim, ‘shoot first, ask questions later?,’ and obeying without objection the order ‘when those Italians arrive, eliminate them’?” Must we really trust Giuliana Sgrena’s feelings when she tells us that her abductors were very probably right when they told her, “the Americans don’t want you to go back,” adding her own comment that they - the Americans again - “don’t want our work to show what Iraq has become with the war, despite the so-called elections.” (As if the U.S. media publishes whatever the Pentagon says or, if that’s how things stand, as if all American journalists were also in mortal danger; as for the Iraqi elections that shouldn’t be called elections, what does Ms Sgrena think they should be called?).

To continue, what might be the “information” in Ms Sgrena’s possession that, according to her life partner Pier Scolari, could justify an assassination by the Americans determined not to see it published? Finally, are we really to believe that the Italians’ car was hit by “400 bullets, a storm of projectiles” (Mr Scolari)? Are we really to believe Giuliana Sgrena when she says that she personally picked “handfuls of bullets” off the seat, but that, in this premeditated rain of fire from an armored vehicle against an automobile with no armor plating, only one passenger actually died?

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 Frank says:

Weedley-Weedley-Wee -- Specifically, the small fret guitar-playing technique that musicians have a tendency to display while in pursuit of a cross between a waitress and a hoover vacuum... This, of course, from his book.