VDH: The Paranoid Style

Charles Johnsonfollow me on twitter
Fri Aug 26, 2005 at 8:42 am PDT • Views: 261

Victor Davis Hanson on the worldwide moronic convergence (which seems to be accelerating): The Paranoid Style.

It is becoming nearly impossible to sort the extreme rhetoric of the antiwar Left from that of the fringe paleo-Right. Both see the Iraqi war through the same lenses: the American effort is bound to fail and is a deep reflection of American pathology.

An anguished Cindy Sheehan calls Bush “the world’s biggest terrorist.” And she goes on to blame Israel for the death of her son (“Yes, he was killed for lies and for a PNAC Neo-Con agenda to benefit Israel. My son joined the Army to protect America, not Israel”).

Her antiwar venom could easily come right out of the mouth of a more calculating David Duke. Perhaps that’s why he lauded her anti-Semitism: “Courageously she has gone to Texas near the ranch of President Bush and braved the elements and a hostile Jewish supremacist media.”

This odd symbiosis began right after 9/11. Then the lunatic Left mused about the “pure chaos” of the falling “two huge buck teeth” twin towers, lamented that they were more full of Democrats than Republicans, and saw the strike as righteous payback from third-world victims.

The mirror-imaging fundamentalists and censors in turn saw the attack as an angry God’s retribution either for an array of our mortal sins or America’s tilting toward Israel.

Do I have to say, “read the whole thing?”

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The manner in which Americans "consume" music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movie -- it's consumed that way without any regard for how and why it was made. -- From "The Real Frank Zappa Book" (ch. 11)