Spencer: Fallaci Beheaded
Here’s another example of utter moral blindness, in an Italian art exhibit featuring a painting of Oriana Fallaci Beheaded.
A disgraceful art exhibit in Milan has illustrated once again the deep affinity between the Left and the forces of the global jihad. In these days of Muslims the world over calling for the deaths of those who have “insulted Islam,” anyone who wants to see Oriana Fallaci beheaded need look no further than the Galleria Luciano Inga-Pin in Milan, which is exhibiting Giuseppe Veneziano’s� “American Beauty” from January 19 through March 18. This is a series of paintings designed to highlight the “weakness and perversity of the ‘American way of life.’” It accordingly features straightforward, if somewhat lurid, portraits of Michael Jackson and Ronald McDonald, along with the distinctly non-American Harry Potter. Then comes a bizarre depiction of a nude man having sexual intercourse with the Pink Panther, five artistic renditions of the Abu Ghraib prison photos (each with “American Beauty” scrawled across the top), and — Oriana Fallaci’s decapitated head.�
Although I find the picture of Fallaci decapitated deeply offensive, I have no plans to attack the Italian embassy, boycott Italian wine, phone in a bomb threat to the Galleria Luciano Inga-Pin, kill innocent people who had nothing to with the painting, or threaten to kill those who are actually responsible for it. Veneziano’s painting is the sort of obnoxiousness that has become commonplace on the Left, and is one of the prices of freedom of speech.
Veneziano’s painting is doubly offensive, however, in light of the fact that Fallaci herself has been driven out of Italy by frivolous charges that she has “defamed Islam.” Giuseppe Veneziano is not on trial for depicting Fallaci decapitated, but Fallaci faces trial for making a series of heated but largely true statements about Islam and Muslims. Veneziano’s painting is triply offensive in that it depicts exactly what the Muslim exponents of cartoon rage around the world would like to see done to Fallaci — and thus manifests the ever-closer empathy between the Western Left and Islamic jihad. “Behead those who insult Islam,” read a sign at a recent demonstration in London protesting the Danish cartoons of the Islamic prophet Muhammad. If Fallaci has insulted Islam with her monumental post-9/11 cries of freedom and resistance, The Rage and the Pride and The Force of Reason, Giuseppe Veneziano is happy to oblige the mujahedin, at least on canvas.
The painting is here: La Fallaci decapitata.