Palestinian Missile Fauxtography? No.

Charles Johnsonfollow me on twitter
Wed May 30, 2007 at 9:19 am PDT • Views: 395

Since I’ve been getting dozens of emails about Rusty’s post at mypetjawa, I’m going to repeat what I said last weekend when the subject came up at LGF: in my opinion, there is absolutely no evidence that the photograph Rusty is discussing here is a case of fauxtography. I like mypetjawa a lot, and they do great work, but in this case they’re chasing rabbits.

The photo is not a fake.

UPDATE at 5/30/07 9:47:40 am:

I do agree, however, that the photos of the aftermath of the explosion look very staged; especially the man running with an apparently uninjured boy, putting on a huge show for the photographers.

But that’s a different issue.

UPDATE at 5/30/07 2:14:36 pm:

Brian at Snapped Shot has a closer look at the latest Palestinian “Screaming Carry Run:” Shades of Qana.

And he agrees that the “missile” (it’s actually a bomb) photo is not a fake: Wherefore art thou, Missiles?

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 Frank says:

And all the rest of whom for which to whensoever of partially indeterminate bio-chemical degredation. Seek the path to the sudsy yellow nozzle of their foaming nocturnal parametric digital whole-wheat inter-faith geo-thermal terpsichorean ejectamenta. -- From board tape at Zappa concert, outdoors, at Blossom Music Center, Akron, Ohio, summer 1984. This quote was in the middle of a spoken section of "The Mud Club" in which a dude walks into the club with a blue Mohawk and proceeds to "work the floor, work the wall, work the monitor system. . . ." The band was having monitor feedback problems at the Blossom concert, and there are numerous references to P.A. equipment throughout this ramble. Other than that, the quote is meaningless, I guess. But great imagery!