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Zombie: 9/11 Truth March at the Democratic National Convention
On the second day of the Democratic National Convention in Denver, a “truther” organization called We Are Change sponsored the “9/11 Truth March.” I didn’t expect more than a few dozen people to show up, but was surprised and a little disturbed at how large it turned out to be — the crowd numbered in the hundreds.

Zombie: I Went to Invesco and All I Got Was This Lousy Report
I tried to find the beginning of the line — a line which seemed to have no beginning or end. I made the mistake at first of trying to go toward the entrance. Foolish me.

Zombie: The Democratic Convention Giant Puppet Parade
On Tuesday, a group called The Backbone Campaign sponsored a parade they call "Procession to the Future," but which is better known in journalistic circles as Giant Puppets!

Zombie: Scenes from a Convention
Not everything that happens outside the Democratic National Convention fits into a “theme” of some sort. The following series of images were all taken within the space of two hours. Here's a more gut-level impression of what walking around Denver is like this week.

Zombie: Pro-Hillary March
On Tuesday, some Hillary Clinton die-hards held a march along the “designated parade route” from Denver’s Civic Center Park to the “free speech zone” at the Pepsi Center, where the convention is being held. Their goal: a last-ditch attempt to secure the nomination for Hillary.

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Iranian Documentary: 'Saving Private Zion'

Sun, Jun 29, 2008 at 2:43:27 pm PST

Good grief. The bizarre antisemitic propaganda being fed to the Iranian people would be funny in a dark way if it didn’t provoke such a sense of foreboding, of history repeating. (Courtesy of MEMRI TV.)



Click picture to play video. Requires Windows Media Player; Mac users should install Flip4Mac.

Following are excerpts from an episode of an Iranian documentary series on Hollywood cinema, featuring “Saving Private Ryan,” which aired on IRINN – the Iranian News Channel on May 27, 2008:

Narrator: The concentrated efforts of the Zionist lobbies in America have led the U.S. government to be the greatest supporter of the regime occupying Jerusalem. In recent years, following the exposure of certain information, hatred towards the Zionists has developed and intensified among various sectors of society in this country. Therefore, some of the efforts of the Zionist propaganda machine are intended to improve the image of Zionism, and to paint a false picture of the historical role of the Zionists in American society.

[...]

Dr. Majid Shah-Hosseini, an Iranian film critic: [In “The Matrix”], Zion symbolizes the utopian Jewish Zionist land. These are the roots of Zionism. How come in such a popular and seemingly fictional American film, the utopia of liberty and humanity, which heralds the era of modernity – in the technical, rather than theoretical sense – is symbolized by a Zionist name – “Zion”? Moreover, names may be selected for their rhyming value. “Zion” sometimes becomes “Ryan,” as in “Saving Private Ryan.” They exploit even the similarity of names. The Jewish Steven Spielberg, whose previous film, “Schindler’s List,” reflected Zionist goals, and who turned the false story of the holocaust into an influential movie, is now making a new movie, about Private Ryan.

[...]

Murtaza Ali-Abbas Mirzai, an Iranian documentary filmmaker: In “Saving Private Ryan,” one sees that they are the ultimate plunderers. The scene in which the officer puts some earth from various countries into cans was just a preview of what they are doing now – taking the land of Iraq, Afghanistan, and the European countries.

[...]

Narrator: While the blacks and other minorities protest the fact that Hollywood ignores their role in American history, but to no avail, prominent films like “Saving Private Ryan” highlight the role of Jewish soldiers. By exaggerating this role, the Zionists seem to be trying to achieve legitimacy for their post-war actions. In the military cemetery shown in the opening scene of the film, the picture has been edited to draw attention to the Jewish graves among others.

[...]

Among the more unpleasant scenes of the film are the scenes in which a Jewish soldier directs his rage towards German POWs. When he sees some German soldiers wearing jewelry with symbols of his religion, this soldier has a fit of rage and attacks them. In these scenes, the film director presents a completely sympathetic view of this soldier’s rage towards the helpless POWs. It seems as if this cry of rage is the cry of Zionism validating the crimes perpetrated by Zionism after the world war.



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Ron Paul knocked some sense into me and now you guys seem really are out there.

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