The Bathtub Revolutionary: The Origins And Future Of Occupy Wall Street
Kalle Lasn spends most nights shuffling clippings into a binder of plastic sleeves, each of which represents one page of an issue of Adbusters, a bimonthly magazine that he founded and edits. It is a tactile process, like making a collage, and occasionally Lasn will run a page with his own looped cursive scrawl on it. From this absorbing work, Lasn acquired the habit of avoiding the news after dark. So it was not until the morning of Tuesday, November 15th, that he learned that hundreds of police officers had massed in lower Manhattan at 1 A.M. and cleared the camp at Zuccotti Park. If anyone could claim responsibility for the Zuccotti situation, it was Lasn: Adbusters had come up with the idea of an encampment, the date the initial occupation would start, and the name of the protest—Occupy Wall Street. Now the epicenter of the movement had been raided. Lasn began thinking of reasons that this might be a good thing.
Lasn is sixty-nine years old and lives with his wife on a five-acre farm outside Vancouver. He has thinning white hair and the small eyes of a bulldog. In a lilting voice, he speaks of “a dark age coming for humanity” and of “killing capitalism,” alternating gusts of passion with gentle laughter. He has learned not to let premonitions of apocalypse spoil his good mood.
The magazine, which he founded twenty-two years ago, depicts the developed world as a nightmare of environmental collapse and spiritual hollowness, driven to the brink of destruction by its consumer appetites. Adbusters’ images—a breastfeeding baby tattooed with corporate logos; a smiling Barack Obama with a clown’s ball on his nose—are combined with equally provocative texts and turned into a paginated montage. Adbusters is not the only radical magazine calling for the end of life as we know it, but it is by far the best-looking.