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1 iceweasel  Oct 13, 2014 4:11:35am

Great post— I really hope he’s ok. I read so much Ellison in my teens and early twenties—although as a fellow Ellison geek, I must point out that his title credit in ‘City on the Edge of Forever’, as well as much of his TV work, was under the pseudonym ‘Cordwainer Bird’.

/geek hat off

2 iceweasel  Oct 13, 2014 4:12:43am

PS: Also that ‘Cordwainer’ is an archaic word for ‘shoemaker’.

3 Randall Gross  Oct 13, 2014 4:31:42am

His two volumes of Television criticism are masterworks & I highly recommend them to anyone thinking of writing for either movies or TV.
The Glass Teat
The Other Glass Teat

His tale “The New York Review of Bird” is an acerbic satire about the book industry as it was back then, and I also recommend that to anyone creatively inclined if you can find it, it only appeared in one rare anthology ircc.

He has many collections of short stories since he was a master of that form, sometimes even sitting down and writing them in glass bubbles at Science Fiction conventions. My favorite collection of his is : Deathbird Stories

He wrote an award winning episode of Star Trek “City on the Edge of Forever” and the Teleplay can be purchased.

He also edited two seminal collections of Science Fiction stories:
Dangerous Visions
Again Dangerous Visions

4 Randall Gross  Oct 13, 2014 4:38:11am

re: #2 iceweasel

PS: Also that ‘Cordwainer’ is an archaic word for ‘shoemaker’.

“The New York Review of Bird” was a tale about an author named Cordwainer Bird, and many of his fellow SF authors have mentioned Bird in stories they have written. The first name came from another author’s pseudonym, Cordwainer Smith, who was legendary in his own way. ( The instrumentality of Mankind series was the first seminal work of fiction about furries that I can recall. )

5 iceweasel  Oct 13, 2014 4:54:57am

re: #4 Randall Gross

“The New York Review of Bird” was a tale about an author named Cordwainer Bird, and many of his fellow SF authors have mentioned Bird in stories they have written. The first name came from another author’s pseudonym, Cordwainer Smith, who was legendary in his own way. ( The instrumentality of Mankind series was the first seminal work of fiction about furries that I can recall. )

Thank you, fellow geek, for correcting me! :)

6 Romantic Heretic  Oct 13, 2014 5:10:22am

For me, Ellison was always about short stories. He showed how much could be done with few words. ‘Repent, Harlequin!’ Said The Ticktock Man and I Have No Mouth And I Must Scream are two of the finest works in the English language in my opinion. His The Glass Teat review/critique series of TV columns are relevant even today.

7 BadExampleMan  Oct 13, 2014 5:15:19am

re: #1 iceweasel

Harlan was quick to pull his name off of projects he thought had been ruined or too badly compromised - and in those cases he used the Cordwainer Bird pseudonym. But CotEoF was not one of them.

Maybe you’re thinking of “The Starlost”, a Canadian production from the early ’70s that was legendarily bollixed by studio fuckweaselry.

8 Randall Gross  Oct 13, 2014 6:02:53am

re: #5 iceweasel

I wasn’t correcting you, merely adding to what you said. Cordwainer is an archaic word for shoemaker, which both Harlan and Paul knew.

9 Backwoods_Sleuth  Oct 13, 2014 6:06:37am

“A Boy and His Dog”, a very cheesy dystopian film that I liked so much I have it on DVD.

10 jamesfirecat  Oct 13, 2014 7:36:14am

Hate , let me tell you how much I’ve come to hate you….

11 gummitch  Oct 13, 2014 8:43:42am

re: #9 Backwoods_Sleuth

I don’t remember it as cheesy, but rather more evidence that the novella is the best form for conversion to film. And I would certainly love a copy.

12 gummitch  Oct 13, 2014 8:48:07am

I had the terrifying privilege of interviewing Harlan in front of a room full of sf fans back in 1978, just the two of us on stage and me without a script. All I wanted was to emerge with a minimum off lacerations but somehow we stumbled onto the topic of Latin American novelists at the one point in my life I had read a number of them. Harlan was off and running and the audience was completely lost. I didn’t have a lot of encounters with him, the rest of them informal, but he was always easy to talk with after that.

13 Randall Gross  Oct 13, 2014 9:53:56am

re: #12 gummitch

I had the terrifying privilege of interviewing Harlan in front of a room full of sf fans back in 1978, just the two of us on stage and me without a script. All I wanted was to emerge with a minimum off lacerations but somehow we stumbled onto the topic of Latin American novelists at the one point in my life I had read a number of them. Harlan was off and running and the audience was completely lost. I didn’t have a lot of encounters with him, the rest of them informal, but he was always easy to talk with after that.

Was that Iguanacon (World Science Fiction Convention 36?) I almost went that year, but my business blew up & I had to stay in Alaska even though I had tickets.

14 Backwoods_Sleuth  Oct 13, 2014 10:10:02am

re: #11 gummitch

I don’t remember it as cheesy, but rather more evidence that the novella is the best form for conversion to film. And I would certainly love a copy.

Had a dodgy internet connection for a while, so just now getting a chance to respond.
I got my copy of “A Boy and His Dog” from Amazon a couple of years ago. I just love it.

15 Backwoods_Sleuth  Oct 13, 2014 10:18:07am

re: #12 gummitch

At MidAmeriCon in Kansas City, Mo., in 1976 a small group of us headed to a tiny theatre in KC, Kansas, to see “A Boy and His Dog”, which won the Hugo that year for Best Dramatic Presentation.
I do recall that many of the “pros” back then really disliked Ellison because he was such a “young gun know-it-all dickhead” (their opinion, not mine).

16 Decatur Deb  Oct 13, 2014 11:40:17am

re: #4 Randall Gross

“The New York Review of Bird” was a tale about an author named Cordwainer Bird, and many of his fellow SF authors have mentioned Bird in stories they have written. The first name came from another author’s pseudonym, Cordwainer Smith, who was legendary in his own way. ( The instrumentality of Mankind series was the first seminal work of fiction about furries that I can recall. )

The Lady Who Sailed the Soul is perhaps the greatest SF story.

17 Slap  Oct 13, 2014 11:45:30am

Reading “Blood/Thoughts”, the intro essay for No Doors, No Windows, while a teen completely upended my understanding of the universe. A magnificent piece.

Around the same time, I saw him a couple of times on the Tomorrow Show with Tom Snyder. Absolute hilarity.

Was lucky enough to witness his wit in person at a benefit for the Comics Museum in SF.

The term “critical thinking” entered my worldview as a direct result of reading his work (and all of the accompanying intros, which should all be read word for word and are nearly as essential as the stories themselves.

re: #3 Randall Gross

His two volumes of Television criticism are masterworks & I highly recommend them to anyone thinking of writing for either movies or TV.
The Glass Teat
The Other Glass Teat

Theses are, indeed, essential. Frightening as hell in spots. The multi-part essays “Poisoned by the Fangs of Spiro” and “The Common Man” are prescient and read as though they were written after he sat down with Tea Partiers — but this was the late Sixties. Eerie and disappointing to know that the exact language of the Fearful Exclusionary Conservative (TM) has changed not one whit.

The second volume’s original publication was de facto blocked by the Nixon admin, as a partial result of Harlan’s statement that Spiro “masturbated with copies of Reader’s Digest”. It contains a rather noteworthy and hilarious account of the time he was invited to be one of the bachelors when the (then-unknown) Dating Game was taping it’s first shows ahead of it’s debut. If you’re familiar at all with his intolerance for stupidity, you might imagine how this went. Suffice to say, it never aired, and Chuck Barris never sought him again. REAL funny.

He also consulted and creatively steered the Twilight Zone reboot on CBS (with the Dead’s version of the theme), with another couple of his scripts being presented. One of these was one that has since become one of my favorites: “Paladin of the Lost Hour”, which also resulted in awards for Harlan. The filmed version of it starred Danny Kaye, who turned in a luminous and dignified performance, note-perfect. WELL worth pursuing.

And one last note/recommendation: get hold of a copy of the original screenplay of “City at the Edge…” and his long intro detailing his version of the full backstory. The orignial script — which was not the filmed version — won the awards. (The edition that was published also included lovely statements from each of the actors, who all in some way or another noted the beauty of the original script.)

Ice, thanks. I hope he makes it through to keep tilting at them damned windmills.

18 Randall Gross  Oct 13, 2014 1:17:25pm

Updates from Patton Oswalt:


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