A Flor De Piel: The Fragile Force of Doris Salcedo’s Artwork - Guggenheim Blogs
In the final gallery of Doris Salcedo, a retrospective exhibition on view at the Guggenheim Museum through October 12, visitors encounter Salcedo’s room-sized installation, A Flor de Piel (2014). A wave of red fabric unfolds across the floor, forming a vermillion terrain that emanates from the back of the gallery. On close inspection, viewers see that this undulating swath of material is made of hundreds of individual rose petals. The artist laboriously forged the cloth by stitching together the petals, each of which was chemically treated to preserve its dark hue and pliant texture.
Salcedo, whose practice empathically responds to trauma and its aftermath, created this work in homage to a Colombian nurse who was kidnapped and tortured to death after providing care to injured parties on both sides of Colombia’s protracted civil war. In an essay in the exhibition’s catalogue on the elegiac nature of Salcedo’s practice, curator Katherine Brinson discusses how the work grew from Salcedo’s response to the nurse’s treatment:
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