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Palestinian Child Abuse

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Palestinian Media Watch documents the Palestinian Authority’s utterly vile brainwashing of children to seek death for Allah, in a music video broadcast twice last week on Palestinian TV.

One of the most sinister of these clips was broadcast twice last week, according to our research after a three-year absence. The clip features a child actor playing the most famous Palestinian child martyr, Muhammad al-Dura - whose death in a crossfire was broadcast to the entire world - calling to other Palestinian children to literally follow him to Child Martyrs’ Heaven.

“I am waving not to part but to say, ‘Follow me,’” is Dura’s invitation on the TV screen.

The children watching this video are then shown what awaits them if they join Dura in death. The video follows the child actor - “Dura” - joyously frolicking in heaven. He romps on the beach, plays with a kite and runs toward a Ferris wheel. The children are being told that death in conflict with Israel will bring them into a child’s paradise. Muhammad al-Dura is already in this paradise, tranquil and fun-filled. This call to children to seek death, coming from the child who has turned into a Palestinian hero, and broadcast to their children by PA TV, is one of the most odious examples of exploitation of children by the Palestinian Authority. The words sung by the popular singer Aida are as insidious as the pictures. The earth is described as yearning for the children’s death - “its thirst quenched by the gush of blood flowing from the youthful body.”

The main lyrics of the clip are as follows:

“How sweet is the fragrance of the martyrs,
how sweet is the fragrance of the earth,
its thirst quenched by the gush of blood
flowing from the youthful body.”
Caption: “And so he went…”
Choir: “Goodbye to the boy Muhammad” (2x)
Aida (popular woman soloist):
“Goodbye, goodbye.”…
Aida: How sweet is the fragrance of the earth,
Its thirst quenched by the gush of blood
flowing from the youthful body.
Choir: Goodbye, goodbye.
Aida: Goodbye, goodbye…
Choir: O father, ‘til we meet (2x)
Aida (woman soloist):
‘til we meet, my father, ‘til we meet!
I shall go with no fear, no tears,
How sweet is the fragrance of the martyrs!
I shall go to my place in heaven,
How sweet is the fragrance of the martyrs!
Choir: How sweet is the fragrance of the martyrs!
Aida: O my father, ‘til we meet (2x)
Choir: O my father, ‘til we meet …
Goodbye to the child, Muhammad
Aida: O the children of the world say
Choir: Goodbye to the child, Muhammad!
Aida: ‘til we meet, O Muhammad
Choir: ‘til we meet, O Muhammad

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 Frank says:

In every language, the first word after "Mama!" that every kid learns to say is "Mine!" A system that doesn't allow ownership, that doesn't allow you to say "Mine!" when you grow up, has -- to put it mildly -- a fatal design flaw. From the time Mr. Developing Nation was forced to read "The Little Red Book" in exchange for a blob of rice, till the time he figured out that waiting in line for a loaf of pumpernickel was boring as f*ck, took about three generations. ... Decades of indoctrination, manipulation, censorship and KGB excursions haven't altered this fact: People want a piece of their own little Something-or-Other, and, if they don't get it, have a tendency to initiate counterrevolution.