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10 comments

1 CarolJ  Sun, Mar 20, 2011 10:16:29pm

When was depth and quality ever in? Even during the mass media heyday more songs were hardly classic ones.

2 FreedomMoon  Sun, Mar 20, 2011 10:28:33pm

That's how showbiz works, that's kinda how everything works. One of the downsides to capitalism, you have to market your product. If you don't, it fails.

3 Gus  Sun, Mar 20, 2011 10:31:14pm

re: #1 CarolJ

re: #2 tacuba14

I'm curious. Did either of you bother to watch the film?

4 Kronocide  Sun, Mar 20, 2011 10:48:52pm

Most horrible song ever.

5 FreedomMoon  Sun, Mar 20, 2011 11:35:04pm

re: #3 Gus 802

re: #2 tacuba14

I'm curious. Did either of you bother to watch the film?

Yes, did you? Do you have any other suggestions as to why Ashley (or her sister) manage to sell records?

6 FreedomMoon  Sun, Mar 20, 2011 11:35:48pm

Ashley Simpson that is*

7 WINDUPBIRD DISEASE [S.K.U.M.M.]  Mon, Mar 21, 2011 12:12:08am

The good news is there's tons of music made these days by artists who own their own content!


But ya know, you gotta go find it :)

8 mdey  Mon, Mar 21, 2011 3:35:06am

Thanks for the great post Gus. I really enjoyed the film.

9 Jeff In Ohio  Mon, Mar 21, 2011 4:15:24am

re: #1 CarolJ

When was depth and quality ever in? Even during the mass media heyday more songs were hardly classic ones.

I haven't watched the film - watching films about the music business won't enlighten me any and it will remind me of going to the dentist, a familiar, uncomfortable pain.

However, there has always been some depth and quality in the music business. Motown, Stax, A&M, Atlantic and Sub Pop are a few of the labels that routinely produced great music and great sums of money. What is the common thread in those labels? To a certain extent great management, but above all respect for the artist and the art of the song. Sure, those labels fell into parody and produced throw away fluff, but that wasn't their business model.

The demise of popular music can be summed up in three categories, of which I won't expand: the use of corporate focus groups to determine hits; the rise of piracy and the culture of free; the demise of great musicianship and the rise of the computer.

As someone who's walked the belly of the beast for the last 30 years, seen em come up and seen em go down, rubbed elbows with the unknown hit makers and laughed at the avatars of hits, I can't say I'm surprised by artifice. Yes, it's always been there, but it hasn't been the business model.

Before the engine of the 20th century kicked into high gear with those dang recording machines, music was something anyone made. It was the glue that held communities together and a common modal of social expression. Parlor jams, town bands, front porch get togethers - those were the days when the song was king and the songwriter got paid. It's the day we're heading back to.

These talking machines will ruin the artistic development of music in this country. When I was a boy, in front of every house in the summer evenings, you would find young people together singing the songs of the day or old songs. Today, you hear these infernal machines going night and day. We will not have a vocal chord left in America! The vocal chord will be eliminated by a process of evolution as was the tail of man when he came down from the ape.

If you do not make the people executants, you make them depend on the machines.

Word to John Philip Sousa.

10 freetoken  Mon, Mar 21, 2011 6:28:44am

The ascent of the eye (visuals) over the ear (sound) in the definition of what is popular as far as "music" certainly is an interesting phenomenon.


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