re: #164 Guanxi88

So, which Chinese American community group do you suppose was able to see the irreverence in Warhol’s work, get the edginess and sly, early post-modernist vibe of the thing, and thought this would make a great ornament?

Frankly, I thought most people knew the work was meant as ridicule. Pretty much all of Warhol’s work is meant that way. It’s one of the reasons I don’t care much for Warhol - he simply didn’t have much to say, and said the same thing over and over again.

I just can’t seem to find any problems with this.

But if a Chinese group such as you mention wanted the ornament removed, I wouldn’t have a problem with that, either.