Schaeffer died in 1984. I asked his son Frank, who directed the movies—and who has since left the evangelical movement and become a novelist—about the change in tone. He told me that it all had to do with Roe v. Wade, which was decided by the Supreme Court while the film was being made. “Those first episodes are what Francis Schaeffer is doing while he was sitting in Switzerland having nice discussions with people who came through to find Jesus and talk about culture and art,” he said. But then the Roe decision came, and “it wasn’t a theory anymore. Now ‘they’ are killing babies. Then everything started getting unhinged. It wasn’t just that we disagreed with the Supreme Court; it’s that they’re evil. It isn’t just that the federal government may be taking too much power; now they are abusing it. We had been warning that humanism followed to its logical conclusion without Biblical absolutes is going to go into terrible places, and, look, it’s happening right before our very eyes. Once that happens, everything becomes a kind of holy war, and if not an actual conspiracy then

Francis Schaeffer instructed his followers and students at L’Abri that the Bible was not just a book but “the total truth.” He was a major contributor to the school of thought now known as Dominionism, which relies on Genesis 1:26, where man is urged to “have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.” Sara Diamond, who has written several books about evangelical movements in America, has succinctly defined the philosophy that resulted from Schaeffer’s interpretation: “Christians, and Christians alone, are Biblically mandated to occupy all secular institutions until Christ returns.”

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