Playlist
Rehab Reunion (Deluxe Bonus Edition)
Bruce Hornsby & The Noisemakers
Green, Green Rocky Road (Bonus Track)
Genre: Pop
Year: 2016
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Rehab Reunion (Deluxe Bonus Edition)
Bruce Hornsby & The Noisemakers
Celestial Railroad (feat. Mavis Staples)
Genre: Pop
Year: 2016
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Jacob Collier is recognized as one of the world's most distinctive, inventive and prodigious young musicians. He is only 21 years old. Based in London, UK, Jacob has been inspired by many sounds his music combines elements of Jazz, a cappella, groove, folk, trip-hop, classical music, Brazilian music, gospel, goul and improvisation (to name a few), which culminate to create the world of ''Jacob Collier.'' All songs performed, arranged, recorded and produced entirely by Jacob Collier, in his room.
In My Room
Jacob Collier
In My Room
Genre: Jazz
Year: 2016
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Jacob Collier is recognized as one of the world's most distinctive, inventive and prodigious young musicians. He is only 21 years old. Based in London, UK, Jacob has been inspired by many sounds his music combines elements of Jazz, a cappella, groove, folk, trip-hop, classical music, Brazilian music, gospel, goul and improvisation (to name a few), which culminate to create the world of ''Jacob Collier.'' All songs performed, arranged, recorded and produced entirely by Jacob Collier, in his room.
In My Room
Jacob Collier
Woke up Today
Genre: Jazz
Year: 2016
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Life
KNOWER
Hanging On
Genre: Pop
Year: 2016
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In 2003, Robert Spano and the ASO won three GRAMMY awards for Vaughan Williams' "A Sea Symphony" (Best Classical Album, Best Choral performance and Best Classical Engineered Album). The album was hailed by The Philadelphia Inquirer as "...one of the most distinctive recordings ..." and the Symphony Magazine called the ASO Chorus' command of Vaughan William's fascinating and varied choral effects "...simply spectacular." The critical acclaim is likely to continue for this new recording of Vaughan Williams' music. Anchoring this brilliant disc is the composer's peaceful Symphony No. 5 which was first heard in 1943 in the midst of World War II. A departure from his angry and strident Fourth Symphony, Symphony No. 5 was welcomed as an island of serenity in a time of great uncertainty. Vaughan Williams' Fantasia on a Theme of Thomas Tallis is considered by many to be the composer's first indisputable masterpiece and has been featured in several films, including Remando al viento in 1988 with Hugh Grant and Elizabeth Hurley and Master and Commander: The Far Side of the World in 2003 with Russell Crowe. Opening the disc is the Elizabethan church composer Thomas Tallis' four-part a cappella hymn "Why fum'th in fight," a paraphrase of Psalm 2 "Why do the nations rage?" which is one of nine Psalm settings by Tallis. This tune is the basis for Vaughan Williams' Fantasia. The composer's Serenade to Music has been called one of the most sublime musical creations of the 20th century. Set to the final scene of Shakespeare's The Merchant of Venice, it was originally created for 16 soloists, but the composer designed the work so that it could also be performed by four soloists and chorus. This work was composed for and dedicated to Sir Henry Wood - who instituted London's Promenade Concerts - in celebration of his 50th anniversary as a conductor.
Vaughan Williams: Symphony No. 5, Fantasia On a Theme By Thomas Tallis, Serenade to Music
Atlanta Chamber Chorus, Atlanta Symphony Orchestra & Robert Spano
Fantasia On a Theme By Thomas Tallis
Genre: Classical
Year: 2007
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In 2003, Robert Spano and the ASO won three GRAMMY awards for Vaughan Williams' "A Sea Symphony" (Best Classical Album, Best Choral performance and Best Classical Engineered Album). The album was hailed by The Philadelphia Inquirer as "...one of the most distinctive recordings ..." and the Symphony Magazine called the ASO Chorus' command of Vaughan William's fascinating and varied choral effects "...simply spectacular." The critical acclaim is likely to continue for this new recording of Vaughan Williams' music. Anchoring this brilliant disc is the composer's peaceful Symphony No. 5 which was first heard in 1943 in the midst of World War II. A departure from his angry and strident Fourth Symphony, Symphony No. 5 was welcomed as an island of serenity in a time of great uncertainty. Vaughan Williams' Fantasia on a Theme of Thomas Tallis is considered by many to be the composer's first indisputable masterpiece and has been featured in several films, including Remando al viento in 1988 with Hugh Grant and Elizabeth Hurley and Master and Commander: The Far Side of the World in 2003 with Russell Crowe. Opening the disc is the Elizabethan church composer Thomas Tallis' four-part a cappella hymn "Why fum'th in fight," a paraphrase of Psalm 2 "Why do the nations rage?" which is one of nine Psalm settings by Tallis. This tune is the basis for Vaughan Williams' Fantasia. The composer's Serenade to Music has been called one of the most sublime musical creations of the 20th century. Set to the final scene of Shakespeare's The Merchant of Venice, it was originally created for 16 soloists, but the composer designed the work so that it could also be performed by four soloists and chorus. This work was composed for and dedicated to Sir Henry Wood - who instituted London's Promenade Concerts - in celebration of his 50th anniversary as a conductor.
Vaughan Williams: Symphony No. 5, Fantasia On a Theme By Thomas Tallis, Serenade to Music
Atlanta Chamber Chorus, Atlanta Symphony Orchestra & Robert Spano
Fantasia On a Theme By Thomas Tallis
Genre: Classical
Year: 2007
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Jacob Collier is recognized as one of the world's most distinctive, inventive and prodigious young musicians. He is only 21 years old. Based in London, UK, Jacob has been inspired by many sounds his music combines elements of Jazz, a cappella, groove, folk, trip-hop, classical music, Brazilian music, gospel, goul and improvisation (to name a few), which culminate to create the world of ''Jacob Collier.'' All songs performed, arranged, recorded and produced entirely by Jacob Collier, in his room.
In My Room
Jacob Collier
Don't You Know
Genre: Jazz
Year: 2016
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Michael Kiwanuka's second album Love & Hate was recorded in LA and London produced by Grammy Award winner Dangermouse and young up-and-coming producer Inflo. Love & Hate is a fascinatingly assured and resonant body of work following Kiwanuka's acclaimed 2012 debut LP, Home Again. Honest, unabashed, and ambitious, this new record is Kiwanuka emerging from the emotional cocoon of his first album, ready to secure his position as one of the most exciting and renowned talents or our time.
Love & Hate
Michael Kiwanuka
Black Man in a White World
Genre: Soul
Year: 2016
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Orphe
Jhann Jhannsson, Yuki Numata Resnick, Caleb Burhans, Ben Russell & Clarice Jensen
Flight from the City
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Music Theories Recordings releases ‘Profit’, the 4th album of all-star prog rock band THE JELLY JAM on May 27 The Jelly Jam consists of Ty Tabor of King's X on guitar, keyboards, and vocals; Rod Morgenstein of The Dixie Dregs and Winger on drums and keyboards; and John Myung of Dream Theater on bass, moog, and Chapman stick.
Profit
The Jelly Jam
Memphis
Genre: Rock
Year: 2016
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Music Theories Recordings releases ‘Profit’, the 4th album of all-star prog rock band THE JELLY JAM on May 27 The Jelly Jam consists of Ty Tabor of King's X on guitar, keyboards, and vocals; Rod Morgenstein of The Dixie Dregs and Winger on drums and keyboards; and John Myung of Dream Theater on bass, moog, and Chapman stick.
Profit
The Jelly Jam
Mr. Man
Genre: Rock
Year: 2016
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Music Theories Recordings releases ‘Profit’, the 4th album of all-star prog rock band THE JELLY JAM on May 27 The Jelly Jam consists of Ty Tabor of King's X on guitar, keyboards, and vocals; Rod Morgenstein of The Dixie Dregs and Winger on drums and keyboards; and John Myung of Dream Theater on bass, moog, and Chapman stick.
Profit
The Jelly Jam
Perfect Lines (Flyin')
Genre: Rock
Year: 2016
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Music Theories Recordings releases ‘Profit’, the 4th album of all-star prog rock band THE JELLY JAM on May 27 The Jelly Jam consists of Ty Tabor of King's X on guitar, keyboards, and vocals; Rod Morgenstein of The Dixie Dregs and Winger on drums and keyboards; and John Myung of Dream Theater on bass, moog, and Chapman stick.
Profit
The Jelly Jam
Stop
Genre: Rock
Year: 2016
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Music Theories Recordings releases ‘Profit’, the 4th album of all-star prog rock band THE JELLY JAM on May 27 The Jelly Jam consists of Ty Tabor of King's X on guitar, keyboards, and vocals; Rod Morgenstein of The Dixie Dregs and Winger on drums and keyboards; and John Myung of Dream Theater on bass, moog, and Chapman stick.
Profit
The Jelly Jam
Water
Genre: Rock
Year: 2016
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Life
KNOWER
Die Right Now
Genre: Pop
Year: 2016
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Life
KNOWER
Butts T**s Money
Genre: Pop
Year: 2016
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Life
KNOWER
All Time
Genre: Pop
Year: 2016
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Life
KNOWER
The Government Knows
Genre: Pop
Year: 2016
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Life
KNOWER
Hanging On
Genre: Pop
Year: 2016
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Life
KNOWER
Knower Rulez
Genre: Pop
Year: 2016
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Young In All The Wrong Ways is Sara Watkins’ most cohesive and fully realized solo album. The new collection finds her embracing the role of frontwoman following the collaborations of Watkins Family Hour (featuring Sean Watkins, Fiona Apple and Benmont Tench) and Nickel Creek, the hugely successful group she first formed with her brother Sean and Chris Thile. The album is also her most powerful. Personal and revealing, she wrote or co-wrote each of the 10 songs–a first for her. It was produced in Los Angeles by Gabe Witcher who arranged a stellar band including two of his fellow Punch Brothers, guitarist Chris Eldridge and bass player Paul Kowert, and additional musicians Jon Brion and Jay Bellerose. Sarah Jarosz and Aoife O’Donovan, Watkins’ bandmates in I’m With Her, provide harmonies on the title track while Jim James of My Morning Jacket guests on “One Last Time." Benmont Tench is again featured on keys. Sara calls the record "a breakup album with myself..." Writing and recording these ten intensely soul-baring songs was a mechanism to process and mark the last few transformative years. The record is about Sara turning the page and taking the reins of her own life, in both a career and personal sense. “I looked around and realized that in many ways I wasn’t who or where I wanted to be," Sara says. "It’s been a process of letting go and leaving behind patterns and relationships and in some cases how I’ve considered myself. What these songs are documenting is the turmoil you feel when you know something has to change and you’re grappling with what that means. It means you’re losing something and moving forward into the unknown.” The songs contain some of the heaviest moments of her career, with eruptions of thrumming B3 organ and jagged electric guitar. But it’s also quiet, vulnerable, tenderhearted. Bold in all the right ways. Young in All the Wrong Ways reveals an artist who has managed to transform her own turmoil into music that is beautiful and deeply moving: “God bless the tenderhearted,” she sings, “who let life overflow.”
Young In All the Wrong Ways
Sara Watkins
Young In All the Wrong Ways
Genre: Singer/Songwriter
Year: 2016
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From the moment Snarky Puppy played its first overseas show to a sold-out London crowd, they felt at home in Europe. Recorded and filmed live with a studio audience over 4 nights in the Netherlands, 'We Like It Here' captures the band at its most explorative point in its career, in both composition and improvisation. The film DVD also contains over an hour of interviews, behind the scenes tour footage in Europe, and alternate solo takes from the recording sessions. TRACK LISTING 1 - Shofukan 2 - What About Me? 3 - Sleeper 4 - Jambone 5 - Kite 6 - Outlier 7 - Tio Macaco 8 - Lingus
We Like It Here
Snarky Puppy
Shofukan
Genre: Jazz
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Mountains
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
The Wormhole
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Message from Home
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Stay
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Day One
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Dust
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Cornfield Chase
Genre: Soundtrack
Year: 2014
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Interstellar (Original Motion Picture Soundtrack)
Hans Zimmer
Dreaming of the Crash
Genre: Soundtrack
Year: 2014
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Time of the Blue - Single
The Tallest Man On Earth
Time of the Blue
Genre: Pop
Year: 2016
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Musings
William Goldstein & Laurence Juber
Monday Morning Blues
Genre: New Age
Year: 2016
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Musings
William Goldstein & Laurence Juber
The Gift
Genre: New Age
Year: 2016
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Musings
William Goldstein & Laurence Juber
A Maiden Fair
Genre: New Age
Year: 2016
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Oranges and Lemons, from 1989, is a fantastic record, a lucid, technicolor sprawl of modernized Beatleisms and airbrushed psych-pop confectionary. Commercially, it was such a shame Tears for Fears had exactly the same idea at exactly the same time. Appropriately, given its title, several of the songs on Oranges and Lemons deal with Andy Partridge's newly acquired parental status (the jazzy "Pink Thing" is a cunning double-entendre about fatherly pride and his penis) as well as wryly address the wider failings of the world into which our children are born. Yes, like some sherberty, fructose-flavored lozenge, Oranges and Lemons is both bitter and sweet. But unquestionably excellent, as witnessed by the Byrds-like village-idiot love song "Mayor of Simpleton" and other highlights like "King for a Day" and "Poor Skeleton Steps Out." The Eastern mystique, serpentine guitars, and "Ob-La-Di, Ob-La-Da" style chorus of "Garden of Earthly Delights" is conceivably what John, Paul, George, and Ringo would have sounded like if they'd hung around a little longer with the Maharishi. As for the dreamy, green-field tourist brochure panoramas of "Chalkhills and Children," think Brian Wilson drifting over the English countryside in a hang glider. --Kevin Maidment
Oranges & Lemons
XTC
Hold Me My Daddy
Genre: Alternative & Punk
Year: 1989
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Oranges and Lemons, from 1989, is a fantastic record, a lucid, technicolor sprawl of modernized Beatleisms and airbrushed psych-pop confectionary. Commercially, it was such a shame Tears for Fears had exactly the same idea at exactly the same time. Appropriately, given its title, several of the songs on Oranges and Lemons deal with Andy Partridge's newly acquired parental status (the jazzy "Pink Thing" is a cunning double-entendre about fatherly pride and his penis) as well as wryly address the wider failings of the world into which our children are born. Yes, like some sherberty, fructose-flavored lozenge, Oranges and Lemons is both bitter and sweet. But unquestionably excellent, as witnessed by the Byrds-like village-idiot love song "Mayor of Simpleton" and other highlights like "King for a Day" and "Poor Skeleton Steps Out." The Eastern mystique, serpentine guitars, and "Ob-La-Di, Ob-La-Da" style chorus of "Garden of Earthly Delights" is conceivably what John, Paul, George, and Ringo would have sounded like if they'd hung around a little longer with the Maharishi. As for the dreamy, green-field tourist brochure panoramas of "Chalkhills and Children," think Brian Wilson drifting over the English countryside in a hang glider. --Kevin Maidment
Oranges & Lemons
XTC
Across The Antheap
Genre: Alternative & Punk
Year: 1989
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One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure. Rhino. 2006.
Crosby, Stills & Nash
Crosby, Stills & Nash
Long Time Gone
Genre: Rock
Year: 1969
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One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure. Rhino. 2006.
Crosby, Stills & Nash
Crosby, Stills & Nash
Helplessly Hoping
Genre: Rock
Year: 1969
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One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend's Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands-Crosby from the Byrds, Stills from Buffalo Springfield, and Nash from the Hollies-and together, they formed that rarest of musical entities, a "supergroup" that lived up to its billing. CSN's 1969 self-titled debut album is one of the true masterpieces of the rock 'n' roll canon, and 1982's Daylight Again is a brilliant portrait of their musical evolution. Still touring and recording together, CSN is an American treasure. Rhino. 2006.
Crosby, Stills & Nash
Crosby, Stills & Nash
Lady of the Island
Genre: Rock
Year: 1969
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