Playlist
Raditude
Weezer
The Girl Got Hot
Year: 2009

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Raditude
Weezer
Let It All Hang Out
Year: 2009

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Raditude
Weezer
Can't Stop Partying
Year: 2009

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Tooth of Crime
T-Bone Burnett
Here Come the Philistines (fixed)
Year: 2008

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Tooth of Crime
T-Bone Burnett
Swizzle Stick
Year: 2008

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Full title - Roller Maidens from Outer Space. Detective Nick Private (Private Dick) slugs his way into television itself, wrestling with Evil itself from channel to channel while religion rages and Watergate metastasizes. Yep...it's another walk on the su
Roller Maidens from Outer Space
Phil Austin
Side 1
Year: 1974

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The Lamb Lies Down On Broadway
Genesis
Broadway Melody Of 1974 (New Stereo Mix)
Year: 2008

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Another World
Another World
John Patitucci
Shanachie
Year: 1993

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CD/DVD combo. 2007 live release from the singing/songwriting legend, an intimate retrospective of 40 years worth of songs and the people, places and events that inspired them., Features new performances of some of Taylor's most popular recordings interspersed with his insightful and humorous anecdotes on the inspiration behind the songs. The CD features 19 songs while the DVD contains the same tracks plus bonus footage and outtakes. Concord.
One Man Band
James Taylor
My Traveling Star (Live)
Year: 2007

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Fountains of Wayne is one of the leaders of the latest in a long series of power- pop revivals. If the music sounds a lot like mid-'60s pop rock, it's no accident, for the songwriters are unabashed British Invasion fans. The songs on the debut album, Fountains of Wayne, take perky, '60s-like hooks and marry them to ambiguous, unnerving, '90s-like lyrics. Some songs offer an untrustworthy narrator; when the singer complains about "Joe Rey," a Eurotrash jet-setter, you wonder whether he's expressing disdain or envy and whether the song's noisy guitar energy belongs to the band or to Joe Rey. And there's something about the pent-up Mersey-beat energy and pleading vocals of "Please Don't Rock Me Tonight" that make one suspect the singer doesn't really mean what he says. Schlesinger and Collingswood are undeniably clever, but they're not afraid to rock. --Geoffrey Himes
Fountains of Wayne
Fountains of Wayne
Joe Rey
Year: 2004

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Take This to Your Grave
Fall Out Boy
The Patron Saint Of Liars And Fakes
Year: 2005

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After having played in either trios or mid-sized group in recent years, Metheny goes the solo acoustic route on One Quiet Night. As the title implies, Metheny is in a contemplative mood, as he records a mix covers and old and new originals in his home studio. Playing his baritone guitar in a low country music tuning, Methany explores tonal shading throughout 12 relatively short tunes that are more impressionistic meditations than songs build around traditional jazz arrangements. The Norah Jones hit "Don’t Know Why" is born anew, but the new original pieces point in a particularly fresh new vein for the great guitarist. --Tad Hendrickson
One Quiet Night
Pat Metheny
Peace Memory
Year: 2003

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Next to John Coltrane, Michael Brecker was unquestionably the most influential tenor player in the history of jazz. As a result of his stylistic and harmonic innovations, he is the most studied contemporary jazz musician in music schools throughout the world today. He is also a 13-time Grammy winner. Following a two-and-a-half-year battle with myelodysplastic syndrome (MDS) and leukemia, Brecker passed away on January 13, 2007. While in the midst of his debilitating illness, however, Brecker persevered. His work in the studio at the time of his death includes some of the finest music he has ever recorded. Pilgrimage, chronicles Brecker's final journey one in which the music itself served as a sustaining force. Those present in the studio recall moments when the rigors of recording were so physically taxing nearly to the point of collapse for the leader whose health was compromised. In the end, it was Brecker's sheer will, and a dedication to completing the recording, that pushed him, his colleagues and the project as a whole across the finish line. As is often the case, the adversity working against the creator only makes the creation that much stronger and richer and all the more sublime. Every one of the nine tracks composed by Brecker on Pilgrimage is a portrait of an artist at the peak of his creative powers. The album is the first in Brecker's stellar discography which consists solely of his original compositions. Each tune is compelling in this 75-minute set, and there are moments within each that are absolutely transcendent. Pilgrimage is a singular phenomenon in the annals of recorded music. It's a consummate creative statement with a vision that speaks to us from a place we cant comprehend. It ¡s an invitation to takethe spiritual journey of an artist whose legacy will outlast us all.
Pilgrimage
Michael Brecker
Pilgrimage
Year: 2007

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I'm Good Now
Bob Schneider
Piggyback
Year: 2004

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It's easy to understand why Nine Inch Nails became the industrial band to break out of the techno ghetto and win a larger audience. Trent Reznor, who records the NIN albums almost entirely by himself (although he tours with a full band), tries very hard to pass himself off as an angry young man, but underneath the angst-ridden lyrics, pounding synths, and grating guitars is an irrepressible pop sensibility. On the second full-length NIN album, The Downward Spiral, Reznor builds his constructions of noise and gloom around warm, fuzzy melodies. On the album's first single, "March of the Pigs," for example, Reznor screams about swine lined up for slaughter amid guitars screeching in pain. Suddenly the guitars fall away to reveal the sensually throbbing rhythm track below; then that falls away to reveal a vocal-and-piano track that's as catchy as anything by Elton John. Because Reznor has a better handle on dynamics now, the melodic core is more obvious than ever. --Geoffrey Himes
The Downward Spiral
Nine Inch Nails
Piggy
Year: 1994

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Early word on the sixth album from Weezer--and their third self-titled record, although fans, sensibly, are referring to it as "The Red Album"--is that this is their experimental record. Luckily, Rivers Cuomo isn’t interested in penning his own jazz odyssey; for him, experimental is just finding cunning ways to nuance Weezer’s stock-in-trade--crunchy, candy-sweet guitars and vocal harmonies--with new pop tricks. The sardonic lyric of "Pork and Beans" hints at a new direction: "Timabaland knows the way to reach the top of the charts," Cuomo sings, "maybe if I work with him I can perfect the art". Actually, Timbaland’s not on board, but producer Jacknife Lee brings a variety of drum machines and electronics, and Weezer rise to the challenge with some generally inspired messing around. "The Greatest Man That Ever Lived (Variations on a Shaker Theme)" sees Cuomo adopt a gangsta rap slur over screaming sirens, while elsewhere, the other three Weezer members take a turn at the microphone. But it’s Cuomo’s songs that are the winners--notably "Heart Songs", a tribute to the songs that "never feel wrong" that swoops from melodic schmaltz to grunge scuzz with a deft invocation of Nirvana. Skip to the bonus tracks, meanwhile, for a great cover of "The Weight" that takes The Band’s original and drenches it in chundering guitars. --Louis Pattison
Weezer (Red Album)
Weezer
Pig (Bonus Track)
Year: 2008

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Randy Newman's first studio album of all new material in nearly a decade is, by turns, hilarious, poignant and scathingly satirical. Harps and Angels often has an easy going Crescent City feel, with Newman on piano fronting a small combo and revealing, as Rolling Stone put it after the Carnegie Hall show, his serious love and study of the New Orleans piano tradition.
Harps and Angels
Randy Newman
A Piece of the Pie
Year: 2008

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Egyptology
World Party
Piece Of Mind
Year: 2006

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Having outgrown their Stray Cats and Green Day phases, the Living End join forces with Midnight Oil and Silverchair producer Nick Launay for an album that firmly establishes them as Australia's Great Rock Hope. Like late, great power-pop revivalists Material Issue (to whom the chorus of "Dirty Man" bears a more than passing resemblance), this Melbourne power trio fully justifies their plundering of past musical forms thanks to enthusiasm, chops, and songwriting talent. From the fist-in-the-air populism of its title track to the anthemic "Silent Victory" (which Launay gives the full Midnight Oil treatment), Roll On signals the Living End's readiness for an international pop overthrow. --Bill Forman
Roll On
The Living End
Pictures in the Mirror
Year: 2001

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Lonely Avenue
Ben Folds & Nick Hornby
Picture Window
Year: 2010

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Mystic Pinball
John Hiatt
My Business
Year: 2012

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Mystic Pinball
John Hiatt
Wood Chipper
Year: 2012

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LUX
Brian Eno
LUX 3
Year: 2012

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LUX
Brian Eno
LUX 2
Year: 2012

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LUX
Brian Eno
LUX 2
Year: 2012

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LUX
Brian Eno
LUX 1
Year: 2012

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DISK(CD) 1. 01. Astronomy Domine (Live) 02. Careful With That Axe Eugene (Live) 03. Set The Controls For The Heart Of The Sun (Live) 04. A Saucerful Of Secrets (Live) DISK(CD) 2. 01. Sysyphus (Part 1) 02. Sysyphus (Part 2) 03. Sysyphus (Part 3) 04. Sysyphus (Part 4) 05. Grantchester Meadows 06. Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict 07. The Narrow Way (Part 1) 08. The Narrow Way (Part 2) The Narrow Way (Part 3) 09. The Grand Vizier'S Garden Party (Entrance) 10. The Grand Vizier'S Garden Party (Entertainment) 11. The Grand Vizier'S Garden Party (Exit)
Ummagumma (Remastered)
Pink Floyd
Set the Controls for the Heart of the Sun (Live)

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Bruce Hornsby is now best known for his stints playing keyboards with the Grateful Dead and for his involvement in such post-Dead projects as the Further Festival. An incomparable keyboard wizard whose skills are widely admired while his albums are consistently underrated, Hornsby's greatest commercial success is slipping rapidly into the past. His 1986 debut, The Way It Is (recorded with his band, the Range) is the high watermark of his career commercially, having sold several million copies and spawned a trio of hit singles, including "Mandolin Rain," "Every Little Kiss," and of course, the No. 1 smash, "The Way It Is." Overall, it's Hornsby's most tuneful album, though not necessarily his most accomplished work. His is a catalog that is long overdue for reevaluation. --Daniel Durchholz
The Way It Is
Bruce Hornsby
Mandolin Rain
Year: 1986

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Elephant
The White Stripes
Hypnotize
Year: 2003

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Woodface
Crowded House
Chocolate Cake
Year: 1186

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The Lamb Lies Down On Broadway
Genesis
The Lamb Lies Down On Broadway (New Stereo Mix)
Year: 2008

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
4 Pieces: III. Courante
Year: 2012

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
Quizassa
Year: 2012

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
Amid the Minotaurs
Year: 2012

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
Cesca's View
Year: 2012

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
The Orchard
Year: 2012

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
The Orchard
Year: 2012

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Bob Schneider is a fixture on the Austin scene, having kicked around for years in various bands before embarking on a solo career. Schneider's musical approach as a solo artist has proven as eclectic as the diverse musical styles of his former bands -- a little bit singer/songwriter, a whole lot of funk, country, rock, and folk. His music is redolent of singer/songwriters of the '70s from Neil Young to Paul Simon, with a slightly more modern musical sensibility reminiscent of Beck. Schneider has a knack for creating pleasant adult alternative music with edgy lyrics about alienation, drug addiction, and lost romance. The Californian was recorded in four days in Austin, with minimal overdubs, in an attempt to get a live feel.
The Californian
Bob Schneider
Holding In the World

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Bob Schneider is a fixture on the Austin scene, having kicked around for years in various bands before embarking on a solo career. Schneider's musical approach as a solo artist has proven as eclectic as the diverse musical styles of his former bands -- a little bit singer/songwriter, a whole lot of funk, country, rock, and folk. His music is redolent of singer/songwriters of the '70s from Neil Young to Paul Simon, with a slightly more modern musical sensibility reminiscent of Beck. Schneider has a knack for creating pleasant adult alternative music with edgy lyrics about alienation, drug addiction, and lost romance. The Californian was recorded in four days in Austin, with minimal overdubs, in an attempt to get a live feel.
The Californian
Bob Schneider
Mud House

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Founded in 2009 by Brad Wells, Roomful of Teeth consists of eight classically-trained vocalists. During their annual residency at the Massachusetts Museum of Contemporary Art, the ensemble has studied Tuvan throat singing, belting and pop techniques, yodeling, Inuit throat singing and, in their summer 2012 residency, new techniques from Sardinia and Korea. Roomful of Teeth's debut album features seven composers who each incorporate the ensemble's polystylistic virtuosity in unique ways. From Rinde Eckert's neo-alpine yodel "Cesca's View" to Caleb Burhans's post-minimalist take on bel canto singing in "No", the album breathes fresh life into the a cappella landscape. One of this generation's most dynamic vocal talents, Merrill Garbus of tUnE-yArDs, contributes two stunning compositions. Garbus's tunes find a range of world-inspired grooves, from African pygmy yodels, Inuit rhythmic pulsing, and Appalachian hymn tunes to bracing eastern European belting, all filtered through her powerful compositional voice. New Amsterdam co-directors Judd Greenstein, Sarah Kirkland Snider, and William Brittelle each contribute debut pieces highlighting Roomful's blazingly unique skill set.
Roomful of Teeth
Roomful of Teeth
No
Year: 2012

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Randy Newman's first studio album of all new material in nearly a decade is, by turns, hilarious, poignant and scathingly satirical. Harps and Angels often has an easy going Crescent City feel, with Newman on piano fronting a small combo and revealing, as Rolling Stone put it after the Carnegie Hall show, his serious love and study of the New Orleans piano tradition.
Harps and Angels
Randy Newman
Harps and Angels
Year: 2008

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Donald Fagen's fourth solo album for Warner Reprise, Sunken Condos, will be released on October 16. His first three solo albums, The Nightfly, Kamakiriad and Morph the Cat comprised the project known as "The Nightfly Trilogy." Sunken Condos begins a chapter in the creative evolution of this innovative artist, whose career is still going strong after forty years. The nine tracks on Sunken Condos were co-produced by Michael Leonhart and Donald. All but one track, an Ashkenazi recasting of Isaac Hayes' "Out of the Ghetto," are Fagen originals. Some familiar names from the Steely Dan family of players are on hand (Jon Herington, the Steely Dan horns, Freddie Washington) plus some new faces. The word is that, from now on, everything Donald does has got to be funky.
Sunken Condos
Donald Fagen
Good Stuff
Year: 2012

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Sandwiched between the solitary, heart-on-her-sleeve confessions of Blue and the ravishing pop of Court and Spark, 1972's For the Roses captures Joni Mitchell in a deceptively subdued period of transition. Still hewing to a spare sound, Mitchell ventures beyond the elegant folk sources of earlier records to explore her love of blues and jazz-based harmony, writing as much on piano as guitar; thematically, the earnest reveries and heartbroken dirges of before give way to a more detached, even journalistic perspective and darker, grittier settings, most strikingly on "Cold Blue Steel and Sweet Fire." "You Turn Me On, I'm a Radio" was the set's nominal hit, yet in hindsight the keepers here are found in evolutionary pieces like the jazz-tinged "Barangrill," the rock-infused "Blonde in the Bleachers," and in more sober meditations like "Woman of Heart and Mind"--testaments to her restless growth and signposts to the more mature music ahead. --Sam Sutherland
For the Roses
Joni Mitchell
Cold Blue Steel and Sweet Fire
Year: 1972

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(2-CD set) Contains over 130 minutes and 26 tracks of guitarist Allan Holdsworth's selected favorites digitally remastered from 11 studio albums he produced. The collection also includes some Holdsworth rarities, including the special Japan version of Tokyo Dream, and two new studio recordings, Shenandoah, and Let's Throw Shrimp, never before released. Includes a 12-page art booklet of rare photos and tributes from other masters like John McLaughlin, Bill Bruford and Joe Satriani.
Against the Clock: The Best of Allan Holdsworth
Allan Holdsworth
Peril Premonition
Year: 2005

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Milliontown
Frost
No Me No You
Year: 2006

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While Keith Jarrett has ranged from extended solo improvisation to classical repertoire in his career, there's a special level of discipline in his trio playing with Gary Peacock and drummer Jack DeJohnette, heard here in a 1983 recording that marked the beginning of this particular collaboration. All veterans of the Miles Davis group, they bring strong personalities to traditional jazz repertoire and the piano-trio form. It's the taut discipline of the standard repertoire and the level of group interaction that keeps this music interesting, with Jarrett digging deeply into the melodies and changes of the songs for strong ballad playing on "It Never Entered My Mind" and rapid-fire bop on "All the Things You Are." "God Bless the Child" is a 15-minute odyssey, a bluesy and spirited examination of a classic jazz song highlighted by Peacock's brilliant bass work. --Stuart Broomer
Standards, Vol. 1
Keith Jarrett
Meaning Of The Blues
Year: 1985

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He's sold millions of albums, filled arenas, and hobnobbed with George Harrison, Bob Dylan and Roy Orbison, but Tom Petty's driving heartland rock has often been taken for granted by the same critics who hail John Mellencamp as a genius. Greatest Hits is an airtight argument for Petty's own greatness. Starting with "American Girl," the rollicking, Byrds-inspired single from Petty's first album in 1976, this compilation presents a chronological overview of the guitarist-vocalist's career with and without the Heartbreakers, also chronically underrated as one of today's best bands. Every one of the 16 older tracks is a well-crafted gem, full of solid guitar hooks ("Here Comes My Girl"), arresting images ("Don't Come Around Here No More") and simple but poetic lyrics ("The Waiting"). Petty isn't an innovator; he's a talented craftsman with impeccable taste and a strong sense of rock history, internalizing influences ranging from the Beatles' psychedelic masterpiece, Revolver, to the best of '70s punk. (It's interesting to remember that early efforts such as "Refugee" and "Don't Do Me Like That" first won Petty attention as a New Wave artist). With his Dylanesque vocals and chiming 12-string guitars, Petty is more often linked these days with the sounds of the '60s. But recent tunes such as "Learning to Fly" and "Into the Great Wide Open" are as smart, relevant and (dare I say) alternative as anything in MTV's Buzz Bin. --Jim DeRogatis
Greatest Hits
Tom Petty & The Heartbreakers
Mary Jane's Last Dance
Year: 1993

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The Good Captain's Second Opus for Virgin Records Stands as One of the Most Bizarre and Most Interesting Records of his Career! Just Throw on "Making Love to a Vampire with a Monkey on My Knee"! Not for the Faint of Heart...you Just have to Keep Listening!
Doc At The Radar Station
Captain Beefheart & The Magic Band
Ashtray Heart
Year: 1980

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Time Line
Ralph Towner
Always By Your Side
Year: 2006

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A Night on the Town
Bruce Hornsby & The Range
A Night on the Town
Year: 1990

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