Playlist
The Randy Newman Songbook
Randy Newman
Marie
Year: 2003

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The Randy Newman Songbook
Randy Newman
It's Money That I Love
Year: 2003

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The Randy Newman Songbook
Randy Newman
You Can Leave Your Hat On
Year: 2003

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The Randy Newman Songbook
Randy Newman
I Think It's Going to Rain Today
Year: 2003

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The Randy Newman Songbook
Randy Newman
Living Without You
Year: 2003

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The Randy Newman Songbook
Randy Newman
Avalon
Year: 2003

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The Randy Newman Songbook
Randy Newman
Rednecks
Year: 2003

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The Randy Newman Songbook
Randy Newman
Let Me Go
Year: 2003

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The Randy Newman Songbook
Randy Newman
Louisiana 1927
Year: 2003

Amazon MP3

The Randy Newman Songbook
Randy Newman
God's Song (That's Why I Love Mankind)
Year: 2003

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The Randy Newman Songbook
Randy Newman
It's Lonely at the Top
Year: 2003

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"Folon".....The Past
Salif Keita
Africa
Year: 2010

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"Folon".....The Past
Salif Keita
Dakan-Fe
Year: 2010

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"Folon".....The Past
Salif Keita
Mandela
Year: 2010

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"Folon".....The Past
Salif Keita
Seydou
Year: 2010

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"Folon".....The Past
Salif Keita
Tekere
Year: 2010

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Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman
Sketches Of Spain
Miles Davis
Solea
Year: 1960

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Miles Davis's impact on jazz is almost incalculable. From his early days as a sideman for Charlie Parker, through his groundbreaking Birth of the Cool sessions, to his stunning small groups of the '50s and '60s, through to his electric renaissance, the trumpeter, bandleader, and composer has left a deep mark on all who came after. He is one of jazz's true giants. Sketches of Spain, though one of Davis's most commercially successful sessions, is also one of his most controversial. Re-teaming with arranger and composer Gil Evans, who played such a pivotal role in Davis's 1949 Birth of the Cool recordings, Davis recorded a series of large group albums beginning in the late '50s, including Porgy and Bess, Miles Ahead, and Quiet Nights. Sketches of Spain, with its emphasis on flamenco, rich orchestrations, and relaxed tempos, is certainly one of Davis's most mellow recordings (he even works out on fluegelhorn), and proved to have broad appeal. To some critics, however, the project was "elevated elevator music." An expanded version of the album, featuring alternative tracks and unreleased material, was issued in 1997 by Columbia Legacy. --Fred Goodman
Sketches Of Spain
Miles Davis
Saeta
Year: 1960

Amazon MP3iTunes Store

Second Sight
Kate St John
Songs and Silhouettes

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The Familiar
Roger Eno & Kate St John
We Stay Still

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Indescribable Night
Kate St. John
Indescribable Night

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Senor Coconut, (German producer and DJ), now based in Chile, originally burst onto the international music scene with "El Baile Aleman", an acclaimed tribute to electronica pioneers Kraftwerk. He returns with "Around The World", taking the listener on a global tour through a collection of Latin tributes to club hits. Features Daft Punk's seminal track of the same name, and takes on the Eurythmics' "Sweet Dreams" and Prince's "Kiss".
Around the World
Señor Coconut
White Horse
Year: 2008

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Nick Laird-Clowes's penchant for writing odes to tragic icons like Nick Drake and Edie Sedgwick paid off with the success of 1985's "Life in a Northern Town," a sleeper hit that brought the group's commercially stillborn debut album back to life. Dedicated to Drake, the lead track sets the tone for the British trio's dreamy set of sensitive baroque-pop excursions. On tracks like the pastoral "One Dream," Kate St. John's arsenal of classical instruments adds color to Laird-Clowes's folk-rock strummings, while Gilbert Gabriel's keyboards give an '80s sheen to the '60s sentiments of "Love Parade." Dream Academy even lured Pink Floyd's David Gilmour into the production booth, ensuring the group its own little niche in art-rock history. --Bill Forman
The Dream Academy
The Dream Academy
Life In a Northern Town
Year: 1985

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Nick Laird-Clowes's penchant for writing odes to tragic icons like Nick Drake and Edie Sedgwick paid off with the success of 1985's "Life in a Northern Town," a sleeper hit that brought the group's commercially stillborn debut album back to life. Dedicated to Drake, the lead track sets the tone for the British trio's dreamy set of sensitive baroque-pop excursions. On tracks like the pastoral "One Dream," Kate St. John's arsenal of classical instruments adds color to Laird-Clowes's folk-rock strummings, while Gilbert Gabriel's keyboards give an '80s sheen to the '60s sentiments of "Love Parade." Dream Academy even lured Pink Floyd's David Gilmour into the production booth, ensuring the group its own little niche in art-rock history. --Bill Forman
The Dream Academy
The Dream Academy
Life In a Northern Town
Year: 1985

Amazon MP3iTunes Store

Nick Laird-Clowes's penchant for writing odes to tragic icons like Nick Drake and Edie Sedgwick paid off with the success of 1985's "Life in a Northern Town," a sleeper hit that brought the group's commercially stillborn debut album back to life. Dedicated to Drake, the lead track sets the tone for the British trio's dreamy set of sensitive baroque-pop excursions. On tracks like the pastoral "One Dream," Kate St. John's arsenal of classical instruments adds color to Laird-Clowes's folk-rock strummings, while Gilbert Gabriel's keyboards give an '80s sheen to the '60s sentiments of "Love Parade." Dream Academy even lured Pink Floyd's David Gilmour into the production booth, ensuring the group its own little niche in art-rock history. --Bill Forman
The Dream Academy
The Dream Academy
The Edge of Forever (LP Version)

Amazon MP3iTunes Store

Nick Laird-Clowes's penchant for writing odes to tragic icons like Nick Drake and Edie Sedgwick paid off with the success of 1985's "Life in a Northern Town," a sleeper hit that brought the group's commercially stillborn debut album back to life. Dedicated to Drake, the lead track sets the tone for the British trio's dreamy set of sensitive baroque-pop excursions. On tracks like the pastoral "One Dream," Kate St. John's arsenal of classical instruments adds color to Laird-Clowes's folk-rock strummings, while Gilbert Gabriel's keyboards give an '80s sheen to the '60s sentiments of "Love Parade." Dream Academy even lured Pink Floyd's David Gilmour into the production booth, ensuring the group its own little niche in art-rock history. --Bill Forman
The Dream Academy
The Dream Academy
Life In a Northern Town (LP Version)

Amazon MP3iTunes Store

Bambi's Dilemma
Melt Banana
Cat Brain Land
Year: 2007

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Bambi's Dilemma
Melt Banana
Cat Brain Land
Year: 2007

Amazon MP3iTunes Store

In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison
Original Pirate Material
The Streets
The Irony of It All
Year: 2005

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import
Original Pirate Material
The Streets
Sharp Darts
Year: 2005

Amazon MP3iTunes Store

In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison
Original Pirate Material
The Streets
Geezers Need Excitement
Year: 2005

Amazon MP3iTunes Store

In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison
Original Pirate Material
The Streets
Geezers Need Excitement
Year: 2005

Amazon MP3iTunes Store

Amanda Marshall
Amanda Marshall
Birmingham
Year: 1996

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Grinderman is the sound of indie rock legends growing old disgracefully, and that is by no means a criticism. From the opening rant of "Get It On," this is an album with all the menace of an angry drunk, dripping with anger and testosterone (as the surfeit of facial hair in the band's interior photo will attest). It could even be the sound of Nick Cave's midlife crisis, but it doesn't matter, because Grinderman rocks. It's the sound of four musicians having a grand time, turning the volume up to 11 and really cutting loose. For that reason, it's the more upbeat tracks here that are probably the best: "Honey Bee (Let's Fly to Mars)" with its driving electric organ, the primal urgency of "Depth Charge Ethel," and the strutting album closer "Love Bomb." After all the po-faced seriousness he's displayed in recent years, it's good to know that Cave has rediscovered his sense of humour: "I cleaned the sheets on my bed, I combed the hairs across my head, I sucked in my gut and still she said, 'I don't want to,'" he sings on "No Pussy Blues," with his tongue firmly in cheek (amongst other places). Simply put, Grinderman is a hoot. --Ted Kord
Grinderman
Grinderman
Go Tell The Woman
Year: 2007

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